Mitch Posted September 12, 2002 Share Posted September 12, 2002 well, I've got some more poems for you, hope you enjoy... Enxit The end is the exit the exit is the end the exit bends but it always comes to the end that's when you slip away get to finally escape lose your original shape throw off that plastic cape and leave it there for all to stare you only take one thing the thing that makes you whole your soul then you float where you lead stop when you heed then eventually, you leave go to someplace few can see and do what need the exit is only the beginning the beginning is the exit that is what you will see Despind a startled wind blows through my hair a stagnant breeze of melancholy despair it blows all around in a surrounding declare shouting out a whispered dream wilting away softly pronouncing my life's turn to nothing more and my anguish crushes in an endless sore as this wind whispers in my ear fearful dilemmas shot through for all to hear a heavy coat of weighted bear tattered illusionary marriages of reflectionary ripple the wind creates a catalystic reaction it blows on me, acting as a potent acid of needless uncare eating a filmy goop from my skin going deep within in a sizzling fry of mental oils dissipating what was left to stand leaving me a standing, ragged figure a boneless image looking inside for myself through my wind-swept mind as I traverse through sections of irrelevant garbled images of distance I stand by a reflection of me a subvisible shadowy tree with branches extended in bewildering paths of endless fashions this by I do stand, gazing deep in a hopeful-eyed gaze of instigation viewing crumpled projections of pessimistic optimism looking inside the inside of my deeply rooted pores and the sad wind does still blow by in its opinionated despair whispering, in my ear, a reciteful destruction packaged abound Paper Ball I crumpled myself into a paper ball threw it as hard as I could against the wall tried to see something else in me I haven't seen crumpled all my will to see more than is compacted my concentration into a mess of thought yet all that that paper ball did all it did was bounce back propelled me even further down uncurled I stared at an empty white torn and tattered with a furled slash of imperfect interior and tried as I did stare as hard as I could torn and tattered, imperfect in the interior the whiteness remained staring back at me in an empty gape of incessant emptiness and as much as I tried to smooth it still the faults remained cynically reflecting back at me and, realization did then come to my eyes as I stared into that glassy mirror realization that I will always be fractured inside imperfect in another way as well as another always will I be numb always will I have broken lines and in spread cries no matter how hard I try I'm Here I'm here even if you pass my goodwill on by I'm here a shiny steadily glowing star just waiting patience is my virtue as I stand and view and I'm here a ghost to you, something more to those who try to see me my appearance might be lacking I might be a shy of the bunch but, oh man, I'm here can't you hear my cry deeply welled inside of my eyes? one good turn encounters unto another turn the lever won't you please? or are you blind because I'm different well, at least it seems? but, you know what? yeah, I'm here I'm here I saw your eyes go on by my face admit it, wouldn't you please? or did my glance accost you in another direction? because, you know I'm here and I'm gonna stay even if I may seem small man, I've got it all well, at least some of it because, you know what? yup, that's right I'm here standing right here the one right there see me? got the view of me? 'cause, even if you're somewhere else I'll always be standing here smilling a welcoming gift into my hands just waiting on an idle because don'cha know I'm here Ill Guilt a piercing cry pronounced bursting out in sudden proclaim all its hate and pain that cry became a twisted creature of evil decibels expanding about in echoing disclaim the cry shot out through the night to my devious delight shouted out plainly to sight it was and as I hear it now my fear I can feel inside, festering and all my mind did say is to run away run as fast as I can thus on I ran fearing then what is done guilt there is in my soul for what I did that grim day and no matter what do they say for my life forever I afraid will I be and always will I run away and that cry I hear it now that cry, it is etched inside replaying ever on like a torturous melody but the deed I have already done my hands have been stained and nothing did I gain Vengeance? no, only in my eye of uncouth rage Pleasure? nevermore, all I see is pain insane I have gone insane and they hath come at last the ones whom will claim me the restrainers, the ones who are a knocking upon my very door and now I see as they open the door them wrapping chains around my arms as I write this as I can evermore I blindfold they have placed, no longer is vision a hostility struggle I do all I can but still away they take my writing hand someone someday will see this that I hath writ and struggle as much as I can will stay here and sit and my hand pain thus away they take me This is one of my weird poems, but it sounds cool. It sounds kind of like something Edgar Allen Poe would've wrote... I have so many more to type up...I'll type 'em when I feel more like it...any comments would be good also... Link to comment Share on other sites More sharing options...
Rei Posted September 13, 2002 Share Posted September 13, 2002 I like them my favorite one is Enxit. Link to comment Share on other sites More sharing options...
Mnemolth Posted September 14, 2002 Share Posted September 14, 2002 Your poems show potential. But also that you try too hard. 'Plastic cape'? 'Surrounding declare'? Not quite right where they appeared. Don't try to impress, and if you're trying to emulate a particular style, keep it throughout the poem, don't chop and cut and switch. It destroys the flow. Now it may be that you're trying a structure with stanzas and punctuactions, but its really really hard to do that well. In a short poem that may not be a porblem, in something like Paper Ball, its more than a distraction, it actually harms the poem. I'm not saying it can't be done in longer poems, but damn, you'd have to be good to pull it off. And by good I mean like a Prof of Lit or something! So either stay with short poems if you're going for that style or else break it up a little bit. Also try to stay with an image or analogy or allegory. Don't jump all over the place. Again discipline is the enemy of most budding poets. ;) Good point is that it seems you know what's good and what's bad, you have a decent grasp of the language and a liking for it. But do try to find your own voice. Be comfortable with it. Don't try to hack, chop, cut and paste. C+ Cheers. :devil: PS: Hope I'm not too harsh. :blush: Link to comment Share on other sites More sharing options...
Mitch Posted September 14, 2002 Author Share Posted September 14, 2002 [quote]Also try to stay with an image or analogy or allegory[/quote] [color=red] My poems already have very very [i]much[/i] allegory, image, and analogies, you also forgot similies and metaphors. I'm not mad, it's just that not everyone likes my writing style. I know it can be improved and it [i]is[/i] being improved. Yeh, you were kind of harsh. But sometimes you have to to get your point across. My writing style is hard for some to understand, heck, my parents don't even understand half of my work. So your opinion is taken but it will not stop me from writing. I've always had very well placed gift with writing and nothing will stop me. I hope to become a professional, that's if my writing style can keep improving. I've only began to write seriously, so my writing style has very much room for improvment. But I thank you nonetheless for your opinion.[/color] Link to comment Share on other sites More sharing options...
Sara Posted September 14, 2002 Share Posted September 14, 2002 I agree with much of what Mnemolth said here. A couple questions before I go on: How old are you? And how long have you been writing poetry like this? Don't take them the wrong way, it just helps me to try and get a framework of the author before I comment on their work. Without knowing the answers to those two questions, then: First of all, please believe me when I may not understand your particular feelings while you were writing these poems, but I am reading them as honestly as I can. In my experience, that genre of poetry usually comes from raw emotion, and that can be difficult to express. And while some phrasings are extremely well done, others seem to muddy where you're going with your poetry. If you're writing simply for yourself, I won't harp on this point too much, but if you intend to write also for others, there are some things you should take into consideration. Simpler is better. While any work of writing sounds more professional with more specialized wording [example, [i]gargantuan[/i] in stead of [i]big[/i]], it can be [and often is] overdone in 'amature' poetry. That is to say, no one is going to be able to handle 50 long words in 30 lines of writing. [i]"whispering, in my ear, a reciteful destruction packaged abound"[/i] means absolutely nothing to me. I don't know if this will make sense to you, but I can interpret your poetry better than I can understand it. General emotions are pretty clear, or at least there, but the intricate wording muddies your point. But as I said, if you're just writing to vent, feel free to ignore the above. And I may be wrong, but I believe what Mnemolth meant was to stay with just one analogy per poem, or section, instead of changing direction multiple times. You do indeed have many elements of comparison in your work. I won't say [i]too[/i] many, but perhaps too many too close together. Example: In Paper Ball, you stayed with the crumpled paper thing for much of it, then threw in a random line about a 'glassy mirror.' And while it wasn't a bad poem by any means, my first reaction there was: [i]Huh??[/i] I'm Here reminded me very much of lyrics to a song, rather than straight poetry. Not good, necessarily, or bad, just a random comment. Another thing that I see a lot of [not just in your poems, but in 'amature' poetry in general] is forced rhyming. And by that I mean lines that just don't fit together. It might not be just the rhyme, but the words used, or the rhythm, or any number of other factors. __________________________________________________________ Okay, I went through [sufficiently bored person that I am] and messed with the first few lines of one of your poems. If you want to see me tear apart your work, read on. If not....heh.... I did this completely objectively, I've done it to stuff of my friends in the past. I've just found that working with other people's writing helps me improve my own, and I explain things better when I have examples to work with. So skip this section or accept it gracefully. Please don't take any offense or anything; none was intended. The first two lines: [i]a startled wind blows through my hair a stagnant breeze of melancholy despair[/i] don't feel right to me. Adding the third line, [i]it blows all around in a surrounding declare[/i] doesn't help. You may be going for a free form deal where meter doesn't matter, but it doesn't seem that way. It seems more like you're just rhyming depressing lines. Which is fine with me, but again, if you're writing for anyone other than yourself, or are looking to improve your writing caliber, you may want to consider trying to write a poem around rhythm, and adding rhymes in if they fit, rather than the other way round. Perhaps just as an exercise, or if you enjoy it and want to stick with it, that works, too. Another note on those three lines: You used the word 'blow' twice. Unless it's a constant throughout the poem, or really adds something to the stress or beat, I'd try to avoid that. It's not something people usually notice at first glance, but it may tug at them, even if they don't know why. Redundance can be a pet peeve of mine. Alterning the above lines a bit, and hopefully keeping the same meaning: [i]a startled wind blows through my hair a stagnant breeze of [b]dark[/b] despair[/i] [i]it blows all around in a surrounding declare[/i] Seemed to give it a more solid rhythm. But what about line three? I went into the next couple lines looking for what 'surrounding delcare' was supposed to mean. I wasn't sure if it was necessary to the poem, or just a word thrown in for a rhyme. Turns out you've got some stuff on the next two lines supporting it, so it's not just an easy rhyme. Problem is, it's not exactly a rhyme. [i]Declare[/i] is a verb, and using it as a noun just doesn't work. It can only help your writing if you make sure to use words in their correct form. But again, [i]Declaration[/i] doesn't rhyme at all. What to do, what to do... Okay, let's work with 'surrounding.' Good, simple word, but it seems to be hanging on 'declare' and I want to get rid of that. AND , I want to add a rhythm that fits with the first two lines. On top of that, the second 'blow' needs to be taken care of. So with the idea of [i]surrounding[/i], there's [i]enveloping[/i] which may work. Enveloping what? The narrator. Okay, so we've got something along the lines of [i]Enveloping me [da da da da] declare[/i] Aagh, gotta get rid of 'declare.' The next line ends in 'away,' let's work with that. [i]shouting out a whispered dream wilting away[/i] Okay. Translated, we have a dying dream being announced. All else fails, trial and error: With [i][b]away[/b][/i] [i]Crying out as the whisperéd dream wilts away[/i] [i]Declaring the dream as it's wilting away[/i] Or possibly [i][b]decay[/b][/i] [i]Crying out for the dream as it wilts and decays[/i] [i]Declaring the whispered dream as it decays[/i] Staying as faithful to the original verse as possible, we'll go with [i]Crying out as the whisperéd dream wilts away.[/i] So now we have: [i]A startled wind blows through my hair A stagnant breeze of dark despair[/i] [i]Enveloping me [da da da] day [/i] [i]Crying out as the whisperéd dream wilts away.[/i] You can replace [da da da] with any number of things. You've got a dream going away, so you could do something to the effect of 'at the breaking of day.' You could work with the concept of dark and use 'and hiding the day.' You could work with 'masking the day,' twisting the day,' or any number of other things, there. Congratulations! You have reached the end of Sara's Pointless Poetry Workshop. 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Mitch Posted September 16, 2002 Author Share Posted September 16, 2002 [color=red]Ok, I'm only 15, 16 this October. I've only been writing seriously since about a year ago, so I have much room for improvement. I have taken no offense in what you have said, and I think the advice you haven given is very worthy. Because if I don't figure into my own style, and work out the kinks, then what is improvement? I didn't read everything you said, just skimmed some of it. I usually write to vent, and that comes to my best poems, but these few I have posted weren't for venting, just for fun. So I really don't think these are my best poems, or me writing at my best. Because, obviously, when I write and force myself to, I just can't write as well. I think it is this way for most people as well... anyways, I really would like to become a proffesional poet or writer or whatever, if it is possible, so any advice from anyone is open to me. I also think I need a more grasped understanding of grammar, as I think you mentioned. If anymore advice you have, go ahead. Thanks more than I can give.[/color] Link to comment Share on other sites More sharing options...
de1ayna Posted January 7, 2005 Share Posted January 7, 2005 Hmm....I am not much of a poem writer ...but I do try anyway I liked your poems mostly because of the way you made them "flow" ...and how you made it so the poems kind of told a story....keep up the good work XD Link to comment Share on other sites More sharing options...
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